Vienna Secession Building

Friedrichstraße 12, Wien
Wien, Austria
Email: office@secession.at
Phone: +43/1/587 53 07
Website: https://www.secession.at/en/
closed on: Mondays
Museum Type: Art
Secession Building Vienna Joseph Olbrich exterior 1

The Vienna Secession Building (Wiener Secessionsgebäude in German) is an 1898 listed building and an art exhibition hall in Vienna; it also contains the Beethoven Frieze by Gustav Klimt.

Cover image: Joseph Maria Olbrich,1898. Secession building, Vienna. Photo Jorit Aust. Courtesy of Secession.at

The building
The 1000-square-meter Secession pavilion was designed by Austrian architect Joseph Maria Olbrich between 1897 and 1898 as a venue for exhibitions of contemporary art.
The pavilion features the typical Viennese Secession architectural style. It is a rather severe cubic building, painted in white and topped by an almost spherical lattice dome made of laurel leaves in gilded bronze and popularly dubbed “The Golden Cabbage” by the Viennese people.
The entrance facade is decorated with Gorgon masks, a floral frieze, and two inscriptions, one reading Der Zeit ihre Kunst, der Kunst ihre Freiheit (To every age its art, to every art its freedom) and the other with the motto “Ver Sacrum” (Sacred Spring in Latin, the name of the official magazine of the Secession movement)

Despite its many references to ancient architecture – especially Greek, Assyrian, and Byzantine – Olbrich’s building moved on from the redundant eclectic style of the time towards the simple and unadorned geometric forms which will be a hallmark of the early-20th century Modernist Architecture movement. In this sense, the Secession Building is the perfect incarnation of the transition between 19th-century historicism and modernity the Viennese Secession represented both in visual arts and architecture.
Devoid of any decoration, the pavilion’s internal space is divided into an entrance area and an exhibition area that comprises three rectangular rooms arranged around a central square hall, all illuminated naturally by four large glass skylights.

Secession-building-Vienna-photo-Jorge-Franganillo-CC-BY-2.0-Flickr

Secession Building, detail of the facade with the lattice dome made of gilt bronze leaves.
Photo Jorge Franganillo, CC BY 2.0 / Flickr

J-M-Olbrich-Secession-building-external-view-2-ph-Jorit-Aust-press

Joseph Maria Olbrich,1898. Secession building, Vienna.
Photo Jorit Aust. Courtesy of Secession.at

Joseph Maria Olbrich,1898. Secession building, Vienna. Detail of the Moser Frieze.
Photo Jorit Aust. Courtesy of Secession.at

The Beethoven Frieze
The Beethoven Frieze is a large wall painting created by Gustav Klimt in 1902 for the XIV Secession exhibition. As the title suggests, the painting was a tribute to Ludwig Van Beethoven on the 75th anniversary of the composer’s death.
The 34-meter-long painting cycle originally occupied three sides of one of the aisles on the pavilion’s ground floor; painted on thatch panels as an ephemeral work, the frieze was cut in eight parts and sold to a Viennese collector in 1903. Acquired and restored by the Austrian government in the 1970s, the painting is now installed in a climate-controlled room on the Secession Building basement level.

The frieze is, by and large, an allegory of Beethoven’s Ninth Symphony; it is divided into three parts (Suffering Humanity, The Hostile Forces, and The Arts/Choir of Angels) that represent humans’ troubled quest for happiness.
Considered “indecent” and “obscene” by many at the time, mostly because of its unorthodox depiction of nude figures, the Beethoven Frieze is now regarded as one of Klimt’s greatest masterpieces. Though the painting is substantially optimistic (the final apotheosis, the couple’s kiss, is a direct reference to Schiller’s Ode to Joy’s words “Be embraced, Millions! This kiss to all the world!”), the presence of disturbing subjects such as lasciviousness, sickness, and death – which is functional to recreate the dynamic structure of Beethoven’s symphony – creates a contrast between stunning painting beauty and depiction of the most obscure sides of human life that would have an enduring influence on the 20th-century artistic movements, from Expressionism onward.

Secession Building Vienna, Gustav Klimt Beethoven Frieze room

Gustav Klimt, Beethoven Frieze, 1902, room view, Secession, Vienna. Photo Jorit Aust. Courtesy of Secession.at

G-Klimt-Beethoven-Frieze-narrow-and-right-wall-Secession-ph-Jorit-Aust-press-area

Gustav Klimt, Beethoven Frieze, 1902, room view, narrow and right wall, Secession, Vienna.
Photo Jorit Aust. Courtesy of Secession.at

G-Klimt-Beethoven-Frieze-narrow-wall-The-Hostile-Forces-Secession-ph-Jorit-Aust-press-area

Gustav Klimt, Beethoven Frieze, 1902, room view, narrow wall ( the hostile forces), Secession, Vienna. Photo Jorit Aust. Courtesy of Secession.at

Program of exhibitions and events
Along with guided tours, talks, and special events, the Secession’s program includes special exhibitions of international contemporary art.
Artists featured in the pavilion in the last years include Valerio Adami, Micol Assaël, Gerard Byrne, Nicole Eisenman, Thomas Hirschhorn, Robert Irwin, Sharon Lockhart, Sarah Lucas, Jean-Luc Moulène, Kristin Oppenheim, Rudolf Polanszky, Lisl Ponger, Ed Ruscha, and Slavs and Tatars, among many others.

 

 


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copyright Inexhibit 2022 - ISSN: 2283-5474