The central space of the Hungarian pavilion at the 14th Venice Architecture Biennale is occupied by an “in progress” architectural installation

Sonnets in Babylon is an installation conceived by Daniel Libeskind and housed in the Padiglione Venezia at the Gardens of the Biennale

‘A place called home’ is the landmark project of the 2014 London Design Festival features 4 houses by Jasper Morrison, Studioilse, Patternity, Raw Edges

The pavilion of Serbia at the 14th Venice Architecture Biennale is based on the contrast between a very bright central space and an extremely dark gallery

The Pavilion of Brazil at the 14th Venice Architecture Biennale presents 100 years of evolution of the through its architecture

The 14th Architecture Biennale of Venice, curated by Rem Koolhaas, is entitled Fundamentals. It is divided in three parts: the first is called Monditalia

The Yenikapi project in Istanbul, by Eisenman Architects and Aytac Architects, originates from an exceptional archaeological finding. We met Peter Eisenman

The exhibition ‘Designing Modern Women, 1890–1990’, at MoMA in New York, testify to women’s seminal contribution to modernity

The pavilion of the Kingdom of Bahrain at the Biennale presents a survey on the modern architectural models imposed to the Arab world by the Europeans

In Japan, modernization coincided with the import of the Western Model after WW2, but the Country’s frantic development process also produced contradictions

Absorbing modernity 1914-2014 is the exhibition focused on the theme proposed by Koolhaas at the Biennale and developed by all national pavilions curators

The contribution of the Netherlands at the Architecture Biennale is a critical thinking about its open society, developed analysing the work of Jaap Bakema

The pavilion of Denmark at the Architecture Biennale depicts how a model of modernity could be found in the encounter between rationality and aesthetics

The pavilion of the Dominican Republic at the Venice Biennale narrates the history of modern architecture in the Caribbean Country since 1930

The exhibition of Canada at the 14th Architecture Biennale explores the 100 years-long modernization of the most northerly region of the Country, Nunavut

Re-creation, the installation by Finland at the Venice Architecture Biennale, is part of a project that converted a disused industrial site in a creative factory

The pavilion of Belgium at the 14th Architecture Biennale develops the theme of modernity and its transformations by focusing on residential interiors

The German pavilion at the 14th Venice Architecture Biennale is focused on the symbolic role of architecture and its relationship with national identity

The exhibition of Peru at the 2014 Venice Architecture Biennale focus on th earchitecture that characterized the modernization process of the country after 1946

The title of the Italian pavilion exhibition at the Venice Biennale, Innesti-Grafting, refers to the insertion of modern architecture…

The British pavilion exhibition at the 14th Architecture Biennale, A Clockwork Jerusalem, depicts how modernity has been incorporated into British culture

The pavilion of Indonesia at the 14th Architecture Biennale is focused on the peculiar role that the Tukang (master craftsman) has in building realisation

Interiors is the title of exhibition of Spain at the 14th Venice Architecture Biennale, curated by Iñaki Ábalos, and a means to re-think architecture

The exhibition of Israel at the 2014 Venice Biennale, entitled “The UrbUrb” depicts the history of urbanization of the Country in the last century

The United States of America pavilion at the 14th Venice Architecture Biennale has been conceived as a workshop aimed to encourage research and debate

The pavilion of Turkey at the Venice Architecture Biennale 2014 is deeply linked to the personal experience of its curator, the architect Murat Tabanlıoğlu