At the Vitra Design Museum, the “documentary design” of Christien Meindertsma

01-Vitra-Installation view-Christien Meindertsma

Until January 2016, the Vitra Design Museum in Weil am Rhein presents the work of young Dutch designer Christien Meindertsma.

cover image: “Christien Meindertsma: Beyond the Surface”,  Installation view © Vitra Design Museum, photo: Bettina Matthiessen.

Meindertsma belongs to a new generation of designers – mostly coming from Northern Europe – who look at design differently, by investigating and questioning how products are currently manufactured, commercialized, and used; as well as by challenging the conceptual and economic models behind such processes.

For Christien Meindertsma, the creation of a product is only one element of the design process. In her unique approach, she explores the mechanisms of modern industrial production, undertaking expeditions to factories and conducting meticulous detective work at waste disposal sites and workshops. The exhibition focuses on Christien’s work with the materials of wool, flax, incinerator bottom ash, and recycled wool. On display are projects such as the “One Sheep Sweater” (2010) – for which she produced garments from the coats of individual sheep – or the “Flax Chair” (2015), an innovative, sustainable piece of furniture made from a now rarely used material, which was nominated for the New Material Award (2016) and won the Dutch Design Award (2016).

08-Vitra-Installation view-Christien Meindertsma

 “Christien Meindertsma: Beyond the Surface”,  Installation view © Vitra Design Museum, photo: Bettina Matthiessen.


Christien Meindertsma, Flax Chair (2015) © Christien Meindertsma, photo: Roel van Tour, Mathijs Labadie.

As the title “Beyond the Surface” suggests, the exhibition does not merely concentrate on finished products but also encompasses material samples, prototypes, and photographs.
A particular focus lies on the production processes behind the completed object, which Meindertsma captures using films and publications – a method she refers to as “documentary design”. This renders visible how deeply the designer dives into her subject matter, often exploring a topic for long periods and positioning one completed project as a launchpad for the next. Meindertsma is driven by such questions as What are the effects of globalized production chains?  What is the value of local production? How does commodity trading work? And, again and again: Could this be done differently?
While the final results of her research vary greatly, they are all united by her interest in the origin of products, their processing, sustainability, and transparency. Christien Meindertsma’s work and attitude demonstrate that design is not only the act of creating physical objects but also a means to critically engage with our established modes of consumption and to disrupt thinking patterns in favor of positive change.

05-Vitra-Installation view-Christien Meindertsma

03-vitra-Installation view-Christien-Meindertsma

above: “Christien Meindertsma: Beyond the Surface”,  Installation views © Vitra Design Museum, photo: Bettina Matthiessen.


Installation view of “Fibre Market” Project (2016) at the London Design Museum (2016) 
© Christien Meindertsma, photo: Luke Hayes.

Christien Meindertsma: Beyond the Surface
18.08.2018 / 20.01.2019
Vitra Design Museum Gallery
Charles-Eames-Str. 2
D-79576  Weil am Rhein

Photos courtesy of Vitra Design Museum

sponsored links

copyright Inexhibit 2022 - ISSN: 2283-5474