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	<title>Miscellanea &#8211; Inexhibit</title>
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	<description>Art, Design, and Architecture</description>
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	<title>Miscellanea &#8211; Inexhibit</title>
	<link>https://www.inexhibit.com</link>
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		<title>3D printing and digital manufacturing, is this the future of design?</title>
		<link>https://www.inexhibit.com/case-studies/3d-printing-digital-manufacturing-is-future-of-design-here/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Fri, 26 Jan 2018 11:55:09 +0000</pubDate>
				<guid isPermaLink="false">https://www.inexhibit.com/?post_type=case-studies&#038;p=49247</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/3d-printing-digital-manufacturing-is-future-of-design-here/><img width="870" height="580" src="https://www.inexhibit.com/wp-content/uploads/2018/01/Bathsheba-Grossman-Quin.MGX-sterolitography-printed-lamp-by-Materialise-870x580.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Bathsheba Grossman, Quin.MGX sterolitography printed lamp by Materialise" decoding="async" fetchpriority="high" srcset="https://www.inexhibit.com/wp-content/uploads/2018/01/Bathsheba-Grossman-Quin.MGX-sterolitography-printed-lamp-by-Materialise.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2018/01/Bathsheba-Grossman-Quin.MGX-sterolitography-printed-lamp-by-Materialise-300x200.jpg 300w, https://www.inexhibit.com/wp-content/uploads/2018/01/Bathsheba-Grossman-Quin.MGX-sterolitography-printed-lamp-by-Materialise-768x512.jpg 768w, https://www.inexhibit.com/wp-content/uploads/2018/01/Bathsheba-Grossman-Quin.MGX-sterolitography-printed-lamp-by-Materialise-423x282.jpg 423w, https://www.inexhibit.com/wp-content/uploads/2018/01/Bathsheba-Grossman-Quin.MGX-sterolitography-printed-lamp-by-Materialise-624x416.jpg 624w" sizes="(max-width: 870px) 100vw, 870px" /></a></p>3D printing and digital manufacturing. Available technologies, present situation, future scenarios, and impact on product design and Industry 4.0]]></description>
		
		
		
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		<title>The Magic World of Joseph Walsh</title>
		<link>https://www.inexhibit.com/case-studies/magic-world-joseph-walsh/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Wed, 29 Nov 2017 17:05:11 +0000</pubDate>
				<category><![CDATA[Materials]]></category>
		<category><![CDATA[wood]]></category>
		<guid isPermaLink="false">https://www.inexhibit.com/?post_type=case-studies&#038;p=48028</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/magic-world-joseph-walsh/><img width="870" height="580" src="https://www.inexhibit.com/wp-content/uploads/2017/11/Joseph-Walsh-Enignum-shelves-870x580.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Joseph Walsh Enignum shelves" decoding="async" srcset="https://www.inexhibit.com/wp-content/uploads/2017/11/Joseph-Walsh-Enignum-shelves-870x580.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2017/11/Joseph-Walsh-Enignum-shelves-423x282.jpg 423w" sizes="(max-width: 870px) 100vw, 870px" /></a></p>Despite his relatively young age, Joseph Walsh is one of the most influential figures of contemporary design and a recognized master of wooden furniture art]]></description>
		
		
		
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		<title>In Italy, a disused silk factory is converted into contemporary art space</title>
		<link>https://www.inexhibit.com/case-studies/former-silk-mill-in-italy-finds-second-life-as-contemporary-art-space/</link>
		
		<dc:creator><![CDATA[FEDERICA LUSIARDI]]></dc:creator>
		<pubDate>Thu, 23 Mar 2017 15:40:21 +0000</pubDate>
				<guid isPermaLink="false">https://www.inexhibit.com/?post_type=case-studies&#038;p=40713/</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/former-silk-mill-in-italy-finds-second-life-as-contemporary-art-space/><img width="870" height="579" src="https://www.inexhibit.com/wp-content/uploads/2017/03/Filanda-Soresina-spazio-mo.ka-galleria-arte-contemporanea-01-870x579.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Filanda Soresina-spazio-mo.ka-galleria arte contemporanea 01" decoding="async" srcset="https://www.inexhibit.com/wp-content/uploads/2017/03/Filanda-Soresina-spazio-mo.ka-galleria-arte-contemporanea-01.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2017/03/Filanda-Soresina-spazio-mo.ka-galleria-arte-contemporanea-01-300x200.jpg 300w, https://www.inexhibit.com/wp-content/uploads/2017/03/Filanda-Soresina-spazio-mo.ka-galleria-arte-contemporanea-01-768x511.jpg 768w, https://www.inexhibit.com/wp-content/uploads/2017/03/Filanda-Soresina-spazio-mo.ka-galleria-arte-contemporanea-01-423x282.jpg 423w, https://www.inexhibit.com/wp-content/uploads/2017/03/Filanda-Soresina-spazio-mo.ka-galleria-arte-contemporanea-01-624x415.jpg 624w" sizes="(max-width: 870px) 100vw, 870px" /></a></p>A former silk mill near Cremona has been converted into a sort of creative factory, which houses art ateliers and exhibition spaces.]]></description>
		
		
		
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		<title>Osborne 1 (1981) – when the personal computer became portable</title>
		<link>https://www.inexhibit.com/case-studies/osborne-1-1981-when-the-personal-computer-became-portable/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Sat, 25 Feb 2017 12:53:03 +0000</pubDate>
				<guid isPermaLink="false">https://www.inexhibit.com/?post_type=case-studies&#038;p=39854</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/osborne-1-1981-when-the-personal-computer-became-portable/><img width="870" height="580" src="https://www.inexhibit.com/wp-content/uploads/2017/02/Osborne-1-870x580.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Osborne 1" decoding="async" loading="lazy" srcset="https://www.inexhibit.com/wp-content/uploads/2017/02/Osborne-1.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2017/02/Osborne-1-300x200.jpg 300w, https://www.inexhibit.com/wp-content/uploads/2017/02/Osborne-1-768x512.jpg 768w, https://www.inexhibit.com/wp-content/uploads/2017/02/Osborne-1-423x282.jpg 423w, https://www.inexhibit.com/wp-content/uploads/2017/02/Osborne-1-624x416.jpg 624w" sizes="auto, (max-width: 870px) 100vw, 870px" /></a></p>The Osborne 1, history and design of the first portable personal computer, designed by Lee Felsenstein and produced by Osborne Corporation from 1981 to 1983]]></description>
		
		
		
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		<title>Olivetti Programma 101: at the origins of the Personal Computer</title>
		<link>https://www.inexhibit.com/case-studies/olivetti-programma-101-at-the-origins-of-the-personal-computer/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Sun, 12 Feb 2017 16:41:24 +0000</pubDate>
				<guid isPermaLink="false">https://www.inexhibit.com/?post_type=case-studies&#038;p=39539</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/olivetti-programma-101-at-the-origins-of-the-personal-computer/><img width="870" height="580" src="https://www.inexhibit.com/wp-content/uploads/2017/02/Olivetti-Programma-101-computer-870x580.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Olivetti Programma 101 computer" decoding="async" loading="lazy" srcset="https://www.inexhibit.com/wp-content/uploads/2017/02/Olivetti-Programma-101-computer.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2017/02/Olivetti-Programma-101-computer-300x200.jpg 300w, https://www.inexhibit.com/wp-content/uploads/2017/02/Olivetti-Programma-101-computer-768x512.jpg 768w, https://www.inexhibit.com/wp-content/uploads/2017/02/Olivetti-Programma-101-computer-423x282.jpg 423w, https://www.inexhibit.com/wp-content/uploads/2017/02/Olivetti-Programma-101-computer-624x416.jpg 624w" sizes="auto, (max-width: 870px) 100vw, 870px" /></a></p>The Olivetti Programma 101 desk-top computer; history, design, and legacy of what is possibly the first human-centered personal computer ever]]></description>
		
		
		
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		<title>The Commodore PET 2001 (1977)</title>
		<link>https://www.inexhibit.com/case-studies/computer-design-commodore-pet-2001-1977/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Thu, 02 Feb 2017 20:39:08 +0000</pubDate>
				<guid isPermaLink="false">https://www.inexhibit.com/?post_type=case-studies&#038;p=39171</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/computer-design-commodore-pet-2001-1977/><img width="870" height="580" src="https://www.inexhibit.com/wp-content/uploads/2017/02/Commodore-PET-2001-05.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Commodore PET 2001 05" decoding="async" loading="lazy" srcset="https://www.inexhibit.com/wp-content/uploads/2017/02/Commodore-PET-2001-05.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2017/02/Commodore-PET-2001-05-300x200.jpg 300w, https://www.inexhibit.com/wp-content/uploads/2017/02/Commodore-PET-2001-05-768x512.jpg 768w, https://www.inexhibit.com/wp-content/uploads/2017/02/Commodore-PET-2001-05-624x416.jpg 624w" sizes="auto, (max-width: 870px) 100vw, 870px" /></a></p>The Commodore PET 2001, possibly the first personal computer ever, with its angular white colored case, is the epitome of technology design in the '70s]]></description>
		
		
		
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		<title>The Holborn 9100 microcomputer (1981), history and design</title>
		<link>https://www.inexhibit.com/case-studies/computer-design-holborn-9100-1981/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Sun, 29 Jan 2017 16:24:32 +0000</pubDate>
				<guid isPermaLink="false">https://www.inexhibit.com/?post_type=case-studies&#038;p=39082</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/computer-design-holborn-9100-1981/><img width="870" height="580" src="https://www.inexhibit.com/wp-content/uploads/2017/01/Holborn-9100-09-870x580.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Holborn 9100 09" decoding="async" loading="lazy" srcset="https://www.inexhibit.com/wp-content/uploads/2017/01/Holborn-9100-09-870x580.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2017/01/Holborn-9100-09-423x282.jpg 423w" sizes="auto, (max-width: 870px) 100vw, 870px" /></a></p>Presented in 1981, the Dutch microcomputer Holborn 9100, with its periscope-like monitor, is one of the most futuristic computers of the 80s]]></description>
		
		
		
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		<title>Mainon Bulle, the Bubble House by Jean-Benjamin Maneval, 1963</title>
		<link>https://www.inexhibit.com/case-studies/the-bubble-house-by-jean-benjamin-maneval-1963/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Tue, 11 Oct 2016 19:34:47 +0000</pubDate>
				<category><![CDATA[Materials]]></category>
		<category><![CDATA[Synthetic Materials]]></category>
		<guid isPermaLink="false">https://www.inexhibit.com/?post_type=case-studies&#038;p=35123</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/the-bubble-house-by-jean-benjamin-maneval-1963/><img width="870" height="580" src="https://www.inexhibit.com/wp-content/uploads/2016/10/Maison-Bulle-Bubble-House-Jean-Maneval-Inexhibit-2-870x580.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Maison-Bulle-Bubble-House-Jean-Maneval-Inexhibit-2" decoding="async" loading="lazy" srcset="https://www.inexhibit.com/wp-content/uploads/2016/10/Maison-Bulle-Bubble-House-Jean-Maneval-Inexhibit-2-870x580.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2016/10/Maison-Bulle-Bubble-House-Jean-Maneval-Inexhibit-2-423x282.jpg 423w" sizes="auto, (max-width: 870px) 100vw, 870px" /></a></p>The history of the 'Maison Bulle', the futuristic bubble house designed in 1963 by French architect Jean-Benjamin Maneval]]></description>
		
		
		
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		<title>History and design of the Apple iPhone</title>
		<link>https://www.inexhibit.com/case-studies/apple-iphone-history-of-a-design-revolution/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Mon, 12 Sep 2016 19:13:58 +0000</pubDate>
				<guid isPermaLink="false">http://www.inexhibit.com/?post_type=case-studies&#038;p=33645</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/apple-iphone-history-of-a-design-revolution/><img width="870" height="579" src="https://www.inexhibit.com/wp-content/uploads/2016/09/Steve-Jobs-with-an-iPhone.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Steve Jobs with an iPhone" decoding="async" loading="lazy" srcset="https://www.inexhibit.com/wp-content/uploads/2016/09/Steve-Jobs-with-an-iPhone.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2016/09/Steve-Jobs-with-an-iPhone-300x200.jpg 300w, https://www.inexhibit.com/wp-content/uploads/2016/09/Steve-Jobs-with-an-iPhone-768x511.jpg 768w, https://www.inexhibit.com/wp-content/uploads/2016/09/Steve-Jobs-with-an-iPhone-423x282.jpg 423w, https://www.inexhibit.com/wp-content/uploads/2016/09/Steve-Jobs-with-an-iPhone-624x415.jpg 624w" sizes="auto, (max-width: 870px) 100vw, 870px" /></a></p>History of the Apple iPhone from the first generation to the IPhone 16, and the role that Steve Jobs and Jony Ive played in its design]]></description>
		
		
		
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		<item>
		<title>Le Corbusier &#8211; Villa Savoye &#124; part 2, architecture</title>
		<link>https://www.inexhibit.com/case-studies/le-corbusier-villa-savoye-part-2-architecture/</link>
		
		<dc:creator><![CDATA[RICCARDO BIANCHINI]]></dc:creator>
		<pubDate>Fri, 05 Aug 2016 08:08:15 +0000</pubDate>
				<guid isPermaLink="false">http://www.inexhibit.com/?post_type=case-studies&#038;p=31655</guid>

					<description><![CDATA[<p><a href=https://www.inexhibit.com/case-studies/le-corbusier-villa-savoye-part-2-architecture/><img width="870" height="580" src="https://www.inexhibit.com/wp-content/uploads/2016/08/Villa-Savoye-Poissy-Le-Corbusier-landscape-Inexhibit-870x580.jpg" class="attachment-full_page size-full_page wp-post-image" alt="Villa Savoye Poissy Le Corbusier landscape Inexhibit" decoding="async" loading="lazy" srcset="https://www.inexhibit.com/wp-content/uploads/2016/08/Villa-Savoye-Poissy-Le-Corbusier-landscape-Inexhibit-870x580.jpg 870w, https://www.inexhibit.com/wp-content/uploads/2016/08/Villa-Savoye-Poissy-Le-Corbusier-landscape-Inexhibit-423x282.jpg 423w" sizes="auto, (max-width: 870px) 100vw, 870px" /></a></p>The architecture of Le Corbusier's Villa Savoye in Poissy, lines and arcs, dimensions, functional program, relationship with the landscape, the house today]]></description>
		
		
		
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